#Middle school the worst days of my life comcast movie#

#Middle school the worst days of my life comcast movie#

Love, Simon is not the first queer teen movie (though it’s being touted as if it is), and it’s not even the first queer film to explore digital identities, but the film is nonetheless of interest because of the way that it uses digital spaces to project who Simon wants to be and and what Simon wants gay desire to look like. are no match for deeply rooted anxiety and a proclivity to want to create some sort of identity online, a version of himself only he and one other, his anonymous pen pal Blue, can know. The ironies of Simon’s very liberal family, accepting friends, etc. Love, Simon is the latest entry in the fairly minuscule collection of movies geared towards young LGBTQ people, but it’s in how main character Simon (Nick Robinson) self-actualizes which seems to establish the film firmly in the present. Or maybe depriving a person of compassion and validation for half their existence enforces rather than erases their darkness. The question Beast puts to us is: Does Moll give a damn? Maybe there’s a monster taking up real estate in her heart, a crueler self that’s lived in her since her school days. It’s more of a meet-brute, Pascal playing her scruffy knight in tarnished armor, rescuing her from a date veering rapidly into ugly territory in yet another example of the world taking advantage of Moll’s exterior innocence.

Then she meets Pascal (Johnny Flynn) and everything changes. Rather than demand the respect she’s due, though, she meekly holds her peace. The ostensible lead in her own life, Moll is constantly outshone by her supporting cast. Her older sister, Polly (Shannon Tarbet), takes Moll’s birthday party as an opportunity to announce she’s expecting twins. Her mother, Hillary (Geraldine James), is both domineering and condescending toward her. Everyone preys on Moll’s perceived weakness by either pushing her around or simply ignoring her. Andy Crumpįrom the start of Beast, Michael Pearce’s excellent feature debut, his protagonist Moll (Jessie Buckley) reads as a teen in arrested development-eventually we realize she’s a tigress living like a gazelle. Whatever one thinks of her lead, her film’s hypnotic, tragic power is undeniable, its grip inescapable.

Is Nancy, a compulsive liar who concocts fake vacations and fake pregnancies to marry with her many pseudonyms, a victimizer or a victim of her isolated circumstances? Is she just lonely, or is she much worse than that, willfully and remorselessly deceitful? You’ll ask as many questions about Nancy as you will about Riseborough, not so much a chameleonic actress as an ineffable changeling, but the questions are essential to Choe’s exercise. What you take out of it likely equals what you bring into it. The film, like its protagonist, and like the actress who plays her (Andrea Riseborough), is slippery in intention and in meaning. Online, and even in person, you can change details of your backstory, but you can’t change your stripes. What’s the value of identity in a culture that allows us to manipulate identity so easily? Nancy, the first feature by Christina Choe, quietly suggests that typical signifiers for identity-names and histories-matter less, perhaps, than character. Here are the 30 best movies available to rent with Comcast’s Xfinity Stream: You can also check out our guides to the best movies on Netflix, Amazon Prime, HBO, Hulu, Showtime, Cinemax, YouTube, on demand, at Redbox and in theaters.

We’ve picked our 30 favorite movies available to rent (not buy) right now on Xfinity. You can now rent many of the best movies of 20 from $3.99 to $5.99 on your TV, computer or mobile device. Comcast has recently improved their on-demand streaming rental service with better ease of use and an updated selection.